COACHES
Your coaches have to be a good fit. You won't learn well from people you don't like and respect.
The best way to find out whether you have a match with a coach is to set up a meeting, take the time to understand how he or she works, and then decide. You are betting your future on the relationship, so it's a good idea to take the time necessary to choose a coach who will provide you with a positive experience.
Tim Mallandaine is a voice and performance coach whose work is grounded in musicianship, life experience, disciplined practice, and a deep understanding of human development. Born in Edmonton, he earned a Bachelor of Music from the University of Alberta and pursued advanced musical studies at the Northwest German Music Academy in Detmold, Germany. He later returned to Canada and spent ten years teaching voice at the Alberta College Conservatory of Music before developing the independent studio practice that became Songkraft.
What distinguishes Tim as a coach is not simply technical knowledge, but the breadth of experience behind it. His background includes music performance, recording, media production, event creation, business communication, project leadership, and decades of work helping people find confidence in front of others. That range gives him an unusual ability to understand performance from the inside out: the voice, the body, the mind, the story, the audience, and the moment.
Tim’s coaching is built on the belief that great singing is not forced. It is uncovered, trained, strengthened, and released. He works with singers to identify the habits, tensions, fears, and self-limiting beliefs that interfere with natural expression. Students describe his approach as patient, demanding, insightful, respectful, and transformative. Many speak not only of becoming stronger singers, but of finding confidence, presence, emotional freedom, and a clearer sense of themselves.
His students have performed at hundreds of weddings, corporate events, community celebrations, festivals, public concerts, and civic occasions, including performances connected with the Muttart Conservatory, Edmonton City Hall, the Alberta Legislature, Festival of Trees, Heritage Days, Juno Week events, and other regional stages. These opportunities reflect one of the central features of Tim’s work: he does not treat singing as an isolated lesson-room activity. He develops real performers.
Over many years, Tim has also created seminars and programs in performance excellence, self-care, career development, communication, and artistic growth. His broader project history — including major public events, multimedia productions, economic development work, and community initiatives — gives his coaching a practical, real-world foundation. He understands that performance is not only about talent. It is about preparation, resilience, self-knowledge, communication, and the capacity to bring one’s best work forward when it matters.
Tim’s roots also matter. His family history includes pioneers, aviators, builders, homesteaders, and public contributors. That inheritance of initiative, courage, and service is reflected in his own work: building spaces, systems, and opportunities where developing artists can grow. His coaching carries that same ethic and is patient, grounded, demanding, and future-oriented.
At its heart, Tim Mallandaine’s work is about helping singers become more than competent. It is about helping them become free, capable, expressive, and performance-ready. Through Songkraft, he offers singers a rare combination of technical training, artistic mentorship, personal insight, and real-world performance preparation — the kind of coaching that helps a singer discover not only a better voice, but a stronger artistic self.
